Eve O’Callaghan is interested in paintings that consider the basic properties of paint, pigment and surface and how these things combine to create an image and object that relates to a wider history of painting. Her recent work consists of painted wooden panels connected by hinges in a way that is reminiscent of religious polyptych paintings. Combining colour-blocking and pencil drawings in a double-sided format away from the gallery wall, the works draw upon museum and gallery display of archival and readable information in the context of contemporary painting. Her paintings are assured and accomplished. They relate not only to the world around them, but also to various modes and schools of abstract painting.
