Jessamine O'Connor

AIR LOOMS – THE THINKING BEHIND THE PLAYLIST

This playlist follows on from Louise Manifold’s own playlist and is inspired by her themes of humanity, the body, the wonder that is the human voice, and robotic technology.

The automatons of her film might not be exactly robots but are not far off. The writer, the draftswoman and the musician are impeccable clockwork dolls made 250 years ago and still running. Each automaton has its own full-time minder and can be visited in Switzerland or seen here in Manifold’s film. In Air Looms the dolls appear to be in the process of being taught to sing, or to vocalise, by Elizabeth Hilliard.

The songs in this selection are from artists with particularly distinctive voices, from Bjork to Tom Waits, Antony and the Johnsons to Patti Smith. The body is serenaded by Kate Nash, Kate Tempest, and the theme of robotics and clockwork is expanded on by The Prodigy, Flight of the Conchords and The Beastie Boys. The Rocky Horror Show, Carmina Burana and The Tiger Lillies also contribute to an appreciation of the human voice. An eclectic mix for human ears.

THREADS

THE THINKING BEHIND THE PLAYLIST…

This playlist is a mostly 1980’s response to what Austin Ivers conveys so brilliantly in his exhibition Threads; obsolescence. In the '80’s computers were the latest thing. For adults they were probably aspirational, as kids they barely registered. We watched videos, listened to records, made mixed-tapes. This selection had to open with Talking Heads’ Road to Nowhere, as it sums up concisely what Ivers is showing: the futility of accumulation. What was expensive, desirable and new, is now junk. All those objects are now in landfill around the planet - and filling up the seas. Who could have imagined it? And can we imagine it now, as we speed around in our new cars, swiping our phones, streaming tracks we forget we ever heard.

The '80’s gets bad press for its chart music, but there was a thriving and exciting independent music scene too. As well as the great and weird bands from America -like some included here, The Dead Kennedys, The Butthole Surfers, Alice Donut and Public Enemy – in Ireland there was also a vibrant cultural exchange with our neighbours. From The Pogues’ first single about the dark streets of London, to Sinéad O’Connor resolving to leave a racist England, to Stiff Little Fingers in the sectarian North, and Linton Kwesi Johnson as a Jamaican poet in Brixton – all were making important music that for me best represents the '80’s.

The songs in this selection also reflect the major theme of that decade: impending nuclear disaster. Even as children we were aware of global politics, largely due to the puppet show Spitting Image. Thatcher, Reagan, and Gorbachev were familiar faces. I remember my first protest in 1984 aged eight, when Ronald Reagan came to town. Everyone was terrorized by the prospect of nuclear fallout, the Cold War was constantly on the TV, disaster seemed just around the corner. When the Wind Blows appeared in the cinema before the main feature, and I’ve never forgotten it. Greenham Common women were on the news, CND was everywhere.

And then Chernobyl happened. Artists here that deal directly with issues of that time include Moving Hearts, The Cure, Crass, R.E.M and The Clash. Inspired also by the film aspect of this exhibition, some songs are simply about cars and films! Tracy Chapman, The Sugarcubes, and the Subhumans, join The Violent Femmes, Lou Reed and Ian Drury to bring a sense of what it sounded like in the ancient world before the internet, not that long ago. I hope you enjoy it!

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