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A Record of Tenderness

Richard Malone

27 July — 5 October 2024
Richard Malone, from <em>A Record of Tenderness</em>, 2024.
Richard Malone, from A Record of Tenderness, 2024.
Richard Malone, from <em>A Record of Tenderness</em>, 2024.
Richard Malone, from A Record of Tenderness, 2024.
Richard Malone
  • Date 27 July — 5 October 2024
  • Opening Hours

    Tuesday to Saturday, 10am—5pm
    Closed Bank Holidays
     

About the Artist(s)

Richard Malone’s work has been celebrated internationally and is in some of the world's most prestigious museums and collections, including the Museum of Modern Art (MoMA) in New York, The Metropolitan Museum of Art (The Met) in New York, The Victoria and Albert Museum (V&A) in London, The National Gallery of Victoria in Melbourne, and Central Saint Martins' Museum & Study Collection in London.

In 2023, Richard was the winner of The Golden Fleece Award, Ireland’s largest and most prestigious award for contemporary art. Also in 2023, they created poem in the dark about sadness / filíocht faoi bhrón, as an dorchadas for the Central Hall Commission at the Royal Academy in London. Recent solo shows include Figures at Ormston House in Limerick, and knot, bind, Gesture, bend at the National Gallery of Ireland in Dublin, following a residency in collaboration with Fondation Giacometti. In 2024, Richard was the first Irish artist to have three works commissioned and acquired for the Met’s permanent collection.

The Dock proudly presents a solo exhibition of new works by Richard Malone. A Record of Tenderness is a powerful exploration of labour and class through sculpture, performance and film. The artist combines disparate gendered practices to build propositional frameworks and to dismantle constructed identities. In A Record of Tenderness, the queer imagination takes centre stage.

Meticulously crafted, Malone’s textile assemblages celebrate Irish stitching and weaving and their purpose in holding something together. As feminised and anonymous forms of labour, stitch and weave techniques have long been overlooked as important artifacts of Irish material culture. Rather than fetishising heritage fabrics like linen or wool, Malone employs everyday materials such as jersey and canvas.

These sculptural installations, supported by welded steel, also nod to the knowledge of tradesmanship. Throughout the exhibition, builder’s chalk, masonry paint and other tools highlight the unseen labour that goes into the making. These subtle interventions speak to the language of class and the skills that the artist has learned from their family. Performative gestures like cutting in and painting the gallery walls with Malone’s father are made visible.

Created on or in relation to the human form, Malone’s sculptures also suggest an internal dialogue, movement and theatre – some figures appear alive or captured in suspended emotion. In a series of new films, the artist brings us further behind the scenes to foreground the process of making through recorded rehearsals. Using choreographed motion and collective improvisation, the professional dancers play with idealised forms and gestures from classical and colonial art history.

The boundaries of the film set begin to dissolve as the performers move through the scenography. Some of the works in the gallery act as residual traces relating to the on-screen personas, propped up by armatures and rigging; others simulate awnings, influenced by notions of affluence, alluding to the architectural tropes of contemporary rural Ireland, with humour and tension.

Virtual Gallery

Richard Malone, from <em>A Record of Tenderness</em>, 2024.
View Gallery
Richard Malone, from A Record of Tenderness, 2024.

Acknowledgements

Film credits: Richard Malone, Director; Ronnie McQuillan, Cinematographer; Freya Morris, Creative Producer; Isabel Amelia Garrett, Editor; Cian Redmond, Lighting Assistant/Best Boy; Sonny Mihajlovic, Gaffer; Ezra Lloyd Jackson, Fabrication Assistant; Adam Farrell, Fabrication and Set Assistant; Sophie Sugrue, Colourist.

Performers: Philip Connaughton; Valerie Ebuwa; Ryan Munroe; Isabella Oberlander; Fearghus Ó Conchúir; Ben Sullivan.

A Record of Tenderness
is supported by The Arts Council of Ireland Visual Arts Project Award 2024. The exhibition is curated by Linda Shevlin and Mary Conlon, and produced by Laura Mahon and Ray Duffy. Our thanks to Terry Markey and the Leitrim Sculpture Centre for technical support.

Press

AnOther Magazine: Inside Richard Malone’s New Show Exploring Labour and Class
Because Magazine: Richard Malone’s A Record of Tenderness
SHOWstudio: Richard Malone on Labour, Class and Liza Minnelli
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071 965 0828
Address
The Dock
St. George’s Terrace
Carrick-on-Shannon
County Leitrim, Ireland
N41T2X2
Building opening hours

Monday to Saturday, 10am—6pm Closed Bank Holidays

Gallery opening hours

Tuesday to Saturday, 10am—5pm
Closed Bank Holidays
 

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